A Bucket of Blood - Official Trailer (1959) Scarica

Invia ai tuoi amici
Aggiungi
  • 10 ago 2019

  • Buy Movie here: https://amzn.to/2KpknVI Watch on demand: https://amzn.to/31uIhVC Genre: Comedy, Crime, Horror Directed by Roger Corman Produced by Roger Corman Written by Charles B. Griffith Starring: Dick Miller, Barboura Morris, Antony Carbone, Julian Burton, Ed Nelson, John Brinkley Music by Fred Katz Cinematography by Jacques R. Marquette Edited by Anthony Carras Production company: Altavista, American International Distributed by American International Pictures Release date: October 1959 Running time: 66 minutes Country: United States of America Language: English A Bucket of Blood is a 1959 American black comedy horror film directed by Roger Corman. It starred Dick Miller and was set in beatnik culture. The film, produced on a $50,000 budget, was shot in five days and shares many of the low-budget filmmaking aesthetics commonly associated with Corman's work. Written by Charles B. Griffith, the film is a dark comic satire about a dimwitted, impressionable young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady's cat and covers its body in clay to hide the evidence. When he is pressured to create similar work, he becomes murderous. A Bucket of Blood was the first of three collaborations between Corman and Griffith in the comedy genre, followed by The Little Shop of Horrors (which was shot on the same sets as A Bucket of Blood) and Creature from the Haunted Sea. Corman had made no previous attempt at the genre, although past and future Corman productions in other genres incorporated comedic elements. The film is a satire not only of Corman's own films but also of the art world and teen films of the 1950s. The film is noted as well in many circles as an honest, undiscriminating portrayal of the many facets of beatnik culture, including art, dance and style of living. The plot has similarities to Mystery of the Wax Museum (1933). However, by setting the story in the Beat milieu of 1950s Southern California, Corman creates an entirely different mood from the earlier film. A dim-witted busboy finds acclaim as an artist for a plaster-covered dead cat that is mistaken as a skillful statuette. The desire for more praise soon leads to an increasingly deadly series of works.

Commenti